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Brooklyn 99 tell me why how to#

But I just had so much trouble finding a way in and then figuring out exactly how to pull it off.” He credits the actual development of the episode to Phil Jackson, a black writer for the show, who kept encouraging them to go through with it. In an interview with the Washington Post, Dan Goor, one of Brooklyn Nine-Nine’s co-creators, said “This is an episode or an area that I wanted to explore, I think, as early as season one or season two. The majority of the episode deals with Terry thinking about submitting a complaint against the white officer, and the tension that comes when Holt tries to convince him not to do that because it might endanger Terry’s career. In it, Terry Jeffords (played by Terry Crews), a black cop, was unreasonably stopped and threatened by a white cop. Season four, episode 16 “Moo Moo” is the first time Brooklyn Nine-Nine fully committed an episode to talking about blackness and racial profiling. The show brings up Holt’s past frequently, but it’s usually a footnote in the grand scheme of goofs. He knows cops are messed up, so he’s trying to fix it from the inside (which is definitely a bad method in my opinion, but at least it opens up a dialogue for the viewer).

The prejudice he faced back then is integral to his character it’s why he has diverse officers, and fights for the elimination of archaic traditions like stop-and-frisk. The show calls out the racism and homophobia he faced by giving those experiences a few plot lines and scattered flashbacks to highlight how fucked up his situation was. He’s a character that’s black, gay, and became a cop in the 80s, so he’s been through a whole lot of shit. Take Captain Raymond Holt (played by Andre Braugher) for example. Subjects like these are significant and deserve dialogue and plot lines, shying away from even acknowledging them is straight up cowardly.īrooklyn Nine-Nine has its issues, but it's arguably the best cop show right now in terms of tackling the more grotesque parts of justice systems-it’s proof that these things can be addressed on television, even in a comedic way. They need to talk about things that are drastically affecting people, like the unfair targeted arrests of black and Indigenous peoples for cannabis possession, how black and brown Americans are almost three times more likely to get murdered by cops than white Americans, or the fact that black people in Toronto are 20 times more likely than white people to be killed by the police. When a modern-day show about crime doesn’t talk about relevant social issues, it fails as a crime show. They can’t be mindless glorification or else they become copaganda, like Netflix’s Bright, Blue Bloods, or Chicago PD-pieces of media that are so scarily disconnected from the reality of cops that they end up serving as offbeat recruitment ads.Ī crime show not analyzing the broken systems in place or the potential for abuse of power and corruption within the police force is ridiculously irresponsible. Any plan switch after redemption of this offer will result in forfeiture of the discount pricing.I do genuinely think that there can be good shows about law enforcement, but those shows need to actively engage with what cops actually are.

Brooklyn 99 tell me why trial#

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Brooklyn 99 tell me why tv#

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